BIBLIOGRAFIA

¡ BENJAMIN, T. The craft of tonal counterpoint . New York/London: Routledge , 2003.

¡ DAVIE, C. T. Musical structure and design . New York: Dover, 1966.

¡ HARRISON, D. Supplement to the Theory of Augmented-Sixth Chords. In: Music Theory Spectrum , v. 17, n. 2 , pp. 170-195, Autumn, 1995.

¡ JEPPESEN, K. Counterpoint: the polyphonic vocal style of the sixteenth century [1939]. New York: Dover, 1992.

¡ MANN, A. The study of counterpoint, from Johann Joseph Fux’s Gradus ad Parnassum . New York: Norton, 1971.

¡ MANN, A. The study of fugue . [1965] New York, Dover, 1987.

¡ OLDROYD, G. The technique and spirit of fugue . London: Oxford Press, 1977.

¡ PISTON, W. Armonía . Cooper City, Fl : Span Press , 1998.

¡ PISTON, W. Counterpoint . New York/London: Norton, 1947.

¡ SALLES, P. T. Apostila de Contraponto III . São Paulo: manuscrito do autor, 2009.

Exercício: preenchimento das progressões "estruturais" a três vozes.